Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Classical Fugue Goes Jazz for Flute Clarinet (or Alto Saxophone) and Piano is no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Classical Fugue Goes Jazz (Trio) reflects Ghidoni's mastery of a range of instruments. With a typical performancelasting about 14 minutes Classical Fugue Goes Jazz (Trio) for Flute Clarinet (or Alto Saxophone) and Piano is a truly exquisite addition to the modern ensemble repertoire.

This book is primarily intended for groups preparing for the Level 2 Keyboard Ensemble exam offered by London College of Music. Also suitable for solo players interested in multi-tracking. Arrangements of 8 well-known pieces are featured (Clarinet Polka Rondeau Skye Boat Song / Blow the Wind Southerly Ave Maria Air in a G String Plaisir d’Amour Three Traditional Hymn Tunes and Kumbaya / WereYou There) in 2 3 or 4 parts. Arranged by Janet Dowsett. Approx. grade 3-4 standard. Ref: LL186.

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano the general structure of the piece is evolved so that different balances between the 3 instruments can be explored. The mainsection of this composition demonstrates evenly matched instruments whilst there are 3 episodes interweaving throughout that are all different. The 2nd episode sees the wind and piano play extremely contrasting material inquick alternations whilst the 3rd episode shows how the instruments can be balanced in a close environment producing a short canon. The work is relatively short and all sections are played without breaks each one heralded by asingle soft piano chord.

Jazz Play-Along Volume 135-For use with all B-flat E-flat Bass Clef and C instruments the Jazz Play-Along series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD these first-of-a-kind packages help you master improvisation while playing some of the greatest tunes of all time. FOR STUDY each tune includes a split track with: Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. FOR PERFORMANCE each tune also has: An additional full stereo accompaniment track(no melody) • Additional choruses for soloing.Features 10 Jeff Beck favourites: Blue Wind • Cause We've Ended as Lovers • Constipated Duck • Freeway Jam • Goodbye Pork Pie Hat • Led Boots • Scatterbrain • She's a Woman • Sophie • You Know What I Mean.

Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon

Cette édition de la série de Chord Songbook Piano est un ensemble pratique de 60 des meilleures chansons du légendaire piano man Billy Joel avec des paroles et des diagrammes d'accords de piano dans un 6 'x 9' taille pratique.Les chansons incluent: And So It Goes - Big Shot - The Downeaster 'Alexa? - 52nd Street - Honesty - I Go to Extremes - It's Still Rock and Roll to Me - Just the Way You Are - Keeping the Faith - Leave a Tender Moment Alone - The Longest Time - Lullabye (Goodnight, My Angel) - Movin' Out (Anthony's Song) - My Life - New York State of Mind - Only the Good Die Young - Piano Man - Pressure - She's Always a Woman - She's Got a Way - Tell Her About It - Uptown Girl - We Didn't Start the Fire - You May Be Right / Paroles Et Accords

Jazz Play-Along Vol.95. De toutes les de Me 500 Miles High, ces normes célèbres et jazz favoris font un ensemble agréable pour tous les musiciens. Jouer et apprendre avec une section de rythme passionnant - un ensemble de grand sondage.David Hazeltine, piano - Dennis Irwin, basse- / Rép International / Recueil / Tout Instrument

Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt

L'intention de Robert Schumann pour créer les précieux et, en ce qui concerne didactique, musique judicieusement créée pour les enfants et les jeunes ne se limitait pas à la für die Jugend opus 68 de l'Album mondialement célèbre pour piano (1848). Hormis la Liederalbum für die Jugend Opus 79 (1849), il a également créé deux oeuvres qui devraient encourager jouant piano quatre mains et qui était très populaires dans la musique intérieure du XIXe siècle : le progressivement arrangé 12 vierhändige Klavierstücke für kleine und große Kinder opus 85 (1849) et Kinderball Opus 130 (1853), qui a mis le leichte Sechs Tanzstücke ensemble dans une charmante suite archaïque. Basé sur le score de la nouvelle édition complète de Schumann (éd. par Joachim Draheim und Bernhard Appel), la nouvelle édition de la Wiener Urtext édition pour la première fois présente un urtext fiable basée sur les sources, y compris un morceau de piano facile jusqu'ici inédit qui était destiné à 85 op. / Piano 4 Mains

The Concerto for piano and wind instruments, created in the last stage of the life of Antonio Ruiz-Pipó (1934-1997), certainly is one of his most outstanding compositions. Expressive, yet at the same time characterized by great precision and economy of means, the work is written in the tradition of Manuel de Falla. Pianist and ensemble, especially the woodwind players, are equally faced with technical challenges. The present version with the accompaniment of the soloist by a second piano is suitable for duo recitals and makes it possible for musicians to get to know this remarkable piece which was performed by the composer himself as a soloist at the world premiere in 1989. / 2 Pianos